Microphone
Rode NT1
Large-diaphragm condenser. Warm, intimate, and exceptionally low-noise — built for the long sessions that long-form narration demands.
A voice for stories worth slowing down for.
Audiobook narrator with a deep love of books, a careful ear, and a home studio built for the long form. I read every book in full before I record a single line — because the voice in your head deserves to be the voice on the page.
Books have been the constant of my life for as long as I can remember. I fall hardest for romance and rom-coms, anything with a strong female lead who is allowed to be smart and difficult and right, a clever little mystery with a good twist — and once in a while, a sweeping fantasy with the kind of world-building you can live in. If you've recommended me a book with a great FMC and a slow ache, we're probably already friends.
When I'm not reading I am, predictably, listening — headphones in, dishes done, walking somewhere on purpose just to finish the chapter. The audiobook queue is never empty, and that's the whole point. Becoming a narrator was less a career change and more an inevitability: I have spent my whole life inside other people's stories. It felt about time to lend my voice to a few.
I trained my ear early — five years of French gave me a real foundation in phonetics, which has carried into the accent work I love most. I've been reading aloud for the joy of it since I was a kid in Toledo, deciding that the British boy in the book really did need to sound British. That instinct never left.
Currently reading: something with a slow burn.
A purpose-built home studio designed for clean, ACX-ready audio.
Rode NT1
Large-diaphragm condenser. Warm, intimate, and exceptionally low-noise — built for the long sessions that long-form narration demands.
Focusrite Scarlett Solo (3rd Gen)
Clean preamp, low-latency monitoring, and the kind of reliability that keeps a recording session focused on the read, not the gear.
Hindenburg Narrator
Purpose-built for spoken-word work. ACX-spec mastering, intelligent room tone, and clean delivery files. Edits stay invisible — exactly the way audiobook listeners deserve.
All recordings are produced in a treated, isolated home studio with consistent room tone and noise floor below ACX requirements.
British (RP) · Female & male voice · Warm, witty
American · Suspenseful
American · Female lead · Comedic
American · Emotional, intimate
American · Female & male voice · Sharp, direct
British (Edinburgh) · Scottish accent · Historical drama
Audio on this site is protected. My voice and Vocal Identity may not be used to train, fine-tune, or inform any AI voice synthesis system, nor cloned, sampled, or replicated in any form without my express written consent and agreed compensation. All rights reserved under U.S., U.K., and international intellectual property law.
Authors, publishers, fellow narrators, friendly book-people — I'd love to hear from you. Tell me a little about the project (or just say hi), and I'll get back to you within a couple of days.
I'll get back to you soon. In the meantime, find a good chair and a warm drink.